Ray On My Mind

This concert/theater work brings the music and the story of the great Ray Charles to vivid life! Portraying Ray, master pianist/vocalist, Kenny Brawner leads his 11 piece orchestra and three sultry vocalists (a la the Raelettees), performing this American legend’s most popular hits: “What’d I Say?”, “I Got A Woman”, “Mess Around”, “Georgia On My Mind”, a blazing hot duet on “Baby It’s Cold Outside”, and many more! The music is interwoven with monologues depicting how gospel, blues, jazz, and country-influenced Ray’s style, while also reflecting on American social history, his epic battle with drugs, and his triumphant return home

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Bollywood Boulevard

A LIVE MULTI-MEDIA CONCERT JOURNEY THROUGH HINDI CINEMA

The vibrancy, emotion, and heart-pounding beat of Hindi cinema comes to the stage with Bollywood Boulevard. Dance, live music, storytelling, and stunning visuals come together to create a non-stop journey though over 100 years of Bollywood. Moving from the era of black and while films to today, the music, costumes, choreography, and artwork each reflect the essence of each time period. For lifelong fans, it is a trip down memory lane. For novice fans, it’s an insightful and engaging introduction to the world’s largest film industry.

Through hallmark songs, dance, and moments, the show

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Live from Laurel Canyon

THE SHOW | California Dreamin’ to Hotel California. Songs & Stories.

“Live From Laurel Canyon ~ Songs & Stories of American Folk Rock” is a 90-minute journey through a very special time in American popular music. A time when an entire generation of youth felt abandoned by their own culture and were searching for a sound that helped define them; a sound that shared the protest and awareness of folk music and the attitude and look of rock music. Join us as we follow these legendary artists and share stories on how they ended up in the Canyon and how this

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Skerryvore

Twice winners of Scotland’s Traditional Music ‘Live Act of the Year’ Award (2016 & 2011)

Take two brothers, Daniel (Accordion) and Martin Gillespie (pipes, whistles and accordion), steeped in the Scottish west coast ceilidh tradition on the Isle of Tiree, and add in friends Fraser West (drums) and Alec Dalglish (guitar and vocals), with a background in brass bands, wind bands, jazz bands, and with blues, folk and country influences, and you have the 2005, embryonic Skerryvore.

Fast forward 10 years, add Craig Espie (fiddle) and Jodie Bremaneson (bass), bring in your album producer Alan Scobie on Keyboards and mix in the

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The Sweet Remains

THE SWEET REMAINS is the unusual band on today’s music scene to be headed by 3 gifted singer-songwriters, each of whom contribute to the writing and 3-part harmonies that define the band’s sound. They are also the very rare independent band to claim over 38 MILLION Spotify plays world-wide (and counting).

Driven by strong lyrical and melodic writing, their songs easily appeal to fans of modern folk-rockers like Jason Mraz, Ray Lamontagne, and John Mayer. However, it is their lush harmonies, that distinguish tSR from the throngs of guitar-toting troubadours and harken back to super-groups of the 60’s and 70’s like

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Mariachi Reyna de Los Angeles

Enriching the medium as America’s first all female mariachi ensemble, Reyna de Los Angeles® bring sensitivity, beauty, warmth and vivacious spirit to the historic art of mariachi.

Reyna has blazed the trail for female mariachi musicians. In a musical landscape where songs are often written by men, from male perspectives, Reyna has created its own history. As such, in 2018 Smithsonian Folkways selected Mariachi Reyna de Los Angeles® as the latest artist in its’ Traditions Series of Latino music albums, produced with support from the Smithsonian Latino Center.

Established in 1994, the group had a strong beginning thanks to the mentorship of

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Villalobos Brothers

Acclaimed as one of today’s leading Contemporary Mexican groups, the original compositions and arrangements of The Villalobos Brothers masterfully fuse and celebrate the richness of Mexican folk music with the intricate harmonies of jazz and classical music.

The ensemble’s virtuosic performances have delighted audiences throughout Latin America, India, Russia, Canada and in more than 30 states across the US. They have performed in historic venues and events including Carnegie Hall, Lincoln Center, the Latin Grammy Awards, Davies Symphony Hall, Montreal Jazz Festival, the Ford Theatre in Hollywood, the 60th Anniversary of the United Nations, the New Victory Theatre on Broadway, San

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The Waifs

The trip began circa 1992 with three troubadours — Donna Simpson, her sister Vikki Thorn, and Josh Cunningham — traveling by van, playing gigs anywhere in Australia that would have them. Their effort in those early days propelled The Waifs to multiple ARIA awards, platinum albums, and successful tours internationally, even opening for Bob Dylan’s North American and Australian Tours in 2003.  An easy chemistry, and profound depth of songwriting talent have bound the trio as The Waifs.

In January 2015, with their regular rhythm section, drummer Dave Ross Macdonald and bassist Ben Franz, The Waifs entered the studio in Byron Bay, with producer Nick DiDia (Bruce Springsteen, Rage

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Patty Larkin

Patty Larkin redefines the boundaries of folk-urban pop music with her inventive guitar wizardry and uncompromising lyrics and vocals. Acoustic Guitar Magazine hails her, “soundscape experiments” while Rolling Stone praises her, “evocative and sonic shading.” She has been described as, “riveting” (Chicago Tribune), “hypnotic” (Entertainment Weekly), and a “drop-dead brilliant” performer (Performing Songwriter).

Still Green, Larkin’s most recent release, was written in a primitive dune shack on the Outer Banks of Cape Cod’s National Seashore, where solitude and the landscape forged reflective inspiration. This collection chronicles Patty’s search for relief, respite and solace during a time when she

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Niyaz featuring Azam Ali

Described by the Huffington Post as, “an evolutionary force in contemporary Middle Eastern music”, NIYAZ has created a 21st century global trance tradition, seamlessly blending poetry and folk songs from their native Iran and surrounding countries, with rich, acoustic instrumentation and state-of-the-art, modern electronics. A sublime, ever-evolving message is delivered through music that is uplifting and metamorphic. Niyaz is led by front woman, AZAM ALI , whose Iranian heritage and Indian upbringing have formed a bewitching singer of richly textured proportions. Still, with all the mysticism and allure of their native lands, Niyaz is not limited by tradition. Their far-reaching repertoire defies most standards of “world

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