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Simon Shaheen
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Simon Shaheen dazzles his listeners as he deftly leaps from traditional Arabic sounds to jazz and Western classical styles. His soaring technique, melodic ingenuity, and unparalleled grace have earned him international acclaim as a virtuoso on the ‘oud and violin. Shaheen is one of the most significant Arab musicians, performers, and composers of his generation. His work incorporates and reflects a legacy of Arabic music, while it forges ahead to new frontiers, embracing many different styles in the process.

Most recently, Shaheen has focused much of his energies on Qantara. The band, whose name means "arch" in Arabic, brings to life Shaheen's vision for the unbridled fusion of Arab, jazz, Western classical, and Latin American music, a perfect alchemy for music to transcend the boundaries of genre and geography. The group's release Blue Flame earned eleven Grammy nominations and high accaim by the Los Angeles Times as "stunning" and "meticulously conceived."

While Qantara has been the focus of Shaheen's recent attention, he continues to also lead the Near Eastern Music Ensemble, which remains active performing more traditional concerts in museums and art centers and participates in Shaheen's Arab Music Retreat. In 2009, Simon directed the multi-faceted orchestral program Aswat (Voices)-Celebrating the Golden Age of Arab Music & Cinema, in association with the John F. Kennedy Center for the Performing Arts and the University Musical Society at the University of Michigan.

A retrospective program of Shaheen's contemporary and traditional Arab music styles is offered in his most available North American touring format, a five-piece ensemble of master musicians. Additionally, Shaheen tours as a solo artist internationally and as a lecturer throughout the academic world promoting awareness to Arab music through numerous lecture and workshop presentations.

performance Formats
 
Standard performance consists of quintet with oud & violin, upright bass, flutes, guitar, and percussion.
Alternate four to nine piece groups include the Arabic/Latin/Jazz fusion sounds of Qantara, or traditional classic Arab music of Near East Music Ensemble.
Available to package with various artists including flamenco master Gerardo Nuñez, storytleller Margaret Wolfson, as well as classical musicians, pop artists, and world music performers.
Also available solo as performer, or clinician, or guest with orchestra.
Aswat (Voices) celebrates the Golden Age of Arab music and cinema—from the 1920s to the 1950s in Egypt, Lebanon and Syria—with traditional Arab orchestra and the leading singers in the Arab world today. Encore tour TBD.
 
About Us
“...full of dignified passion. On violin, his playing was throaty and sensual. His phrases sighed and lingered over the tune, then spun off trills and filigree like sparks. On ‘oud, his crisply picked lines took on tension and drama, each measured phrase holding suspense.”
- New York Times
"Simon Shaheen's success in combining characteristics of Middle Eastern music, Western classical music, jazz and Latin rhythms into a gorgeous tapestry can be traced to his capacity to find their common threads."
- Los Angeles Times
“‘Ecstacy’ best describes the exquisite performance given by [this] virtuoso.”
- The Detroit Times
news
SHAHEEN NEW BERKLEE HONOREE
Mar 2, 2010 -- Simon Shaheen joins a prestigious roster of annual Honorees at twenty-fourth Berklee College of Music International Folk Music Festival, Thursday, March 25, 2010. The award recognizes Shaheen for his tremendous support of education, for promoting international goodwill and understanding, and for the amazing support and advocacy provided for Berklee students. Read invitation & honoree list.
ASWAT PREMIERES WITH KENNEDY CENTER SELL-OUT AND AFROPOP REVIEW!
March 5, 2009 -- The North American Premiere of Simon Shaheen's tribute to the Golden Age of Arab Music and Cinema opened at Duke University. The following night, before a capacity crowd at Kennedy Center's Eisenhower Theater, brought multiple standing ovations from an electrified crowd. And Afropop Worldwide champions the March 7 performance at New York's Town Hall with a stellar recap by Senior Editor Banning Eyre (click here to read the Afropop review).
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